ART
& ART HISTORY DEPARTMENT: STUDENT PUBLICATIONS
*Students names are in bold. http://www.dickinson.edu/trout/images/pdfs/ThroughtheLens.pdf Arntsen, Tess '09. “Ralph Gibson: The Third Effect” in Through the Lens: Studies in Photography (Carlisle, The Trout Gallery, Dickinson College, 2009), 11-13. Beach, Kristin '09. “Lucien Clergue: ‘Significant Representation' of Women” in Through the Lens: Studies in Photography (Carlisle, The Trout Gallery, Dickinson College, 2009), 14-18. Culver, Jennings '09. “In An Effort to Find the Other Half: Fragmentation in Contemporary Photography” in Through the Lens: Studies in Photography (Carlisle, The Trout Gallery, Dickinson College, 2009), 19-22. Friedman, Kendall '09. “Jenny Lynn's Enigmatic Imagery” in Through the Lens: Studies in Photography (Carlisle, The Trout Gallery, Dickinson College, 2009), 23-27. Grazioli, Elizabeth '09. “Elliott Erwitt: A Keen Sense of the Ridiculous” in Through the Lens: Studies in Photography (Carlisle, The Trout Gallery, Dickinson College, 2009), 28-32. Peterson, Flannery '09. “Pete Turner: Color Manipulation” in Through the Lens: Studies in Photography (Carlisle, The Trout Gallery, Dickinson College, 2009), 33-37. Priest, Madelyn '09. “The Cultural Kaleidoscope of Mexico and Manuel Álvarez Bravo's Photography” in Through the Lens: Studies in Photography (Carlisle, The Trout Gallery, Dickinson College, 2009), 38-42. Quinn, Sarah '09. “Constructions of Identity: Andy Warhol and His Polaroids” in Through the Lens: Studies in Photography (Carlisle, The Trout Gallery, Dickinson College, 2009), 43-47. Rudy, Kristen '09. “Observing Grace: Kristin Capp's Hutterite Images” in Through the Lens: Studies in Photography (Carlisle, The Trout Gallery, Dickinson College, 2009), 48-52. Schaffer, Casey Jane '09. “Eadweard Muybridge: Frozen Moments” in Through the Lens: Studies in Photography (Carlisle, The Trout Gallery, Dickinson College, 2009), 53-57. Stirn, Lucy '09. “Duane Michals: The Room Where the World Ended” in Through the Lens: Studies in Photography (Carlisle, The Trout Gallery, Dickinson College, 2009), 58-61. Thomson, Hana '09. “Andy Warhol's Absolut Vodka” in Through the Lens: Studies in Photography (Carlisle, The Trout Gallery, Dickinson College, 2009), 62-64.
http://www.dickinson.edu/trout/images/pdfs/CatalogueJan2008.pdf Ramp, Selwyn E. L. '08. “ Henry Ryan MacGinnis, Man of Many Places, ” in America en plein air, Impressions by Henry Ryan MacGinnis (Carlisle, The Trout Gallery, Dickinson College, 2008), 8-12. Romano, Martine D. '08. “Henry Ryan MacGinnis' Stylistic Development and Technique,” in America en plein air, Impressions by Henry Ryan MacGinnis (Carlisle, The Trout Gallery, Dickinson College, 2008), 13-16. Bruckart, Abigail E. '08. “A Love of the Land: Henry Ryan MacGinnis, Impressionism, and Bucks County, Pennsylvania, “in America en plein air, Impressions by Henry Ryan MacGinnis (Carlisle, The Trout Gallery, Dickinson College, 2008), 17-21. Carmack, Kara E. '08. “‘Puritans, Painters, and the Portuguese': Henry Ryan MacGinnis in Provincetown,” in America en plein air, Impressions by Henry Ryan MacGinnis (Carlisle, The Trout Gallery, Dickinson College, 2008), 22-27. Fitzsimmons, Rachel R. '08. “Winter Scenes by Henry Ryan MacGinnis,” in America en plein air, Impressions by Henry Ryan MacGinnis (Carlisle, The Trout Gallery, Dickinson College, 2008), 23-30. Metzger, Anna E. '08. “Henry Ryan MacGinnis in New England,” in America en plein air, Impressions by Henry Ryan MacGinnis (Carlisle, The Trout Gallery, Dickinson College, 2008), 31-34. Evers, Sonia P. '08. “A Landscape Painter's Images of Women,” in America en plein air, Impressions by Henry Ryan MacGinnis (Carlisle, The Trout Gallery, Dickinson College, 2008), 35-38. Jonas, Diana B. '08. “Henry Ryan MacGinnis and His Critics,” in America en plein air, Impressions by Henry Ryan MacGinnis (Carlisle, The Trout Gallery, Dickinson College, 2008), 39-42. Mendelsohn, Rebecca R. '08. “Henry Ryan MacGinnis in the Context of American Art,” in America en plein air, Impressions by Henry Ryan MacGinnis (Carlisle, The Trout Gallery, Dickinson College, 2008), 43-48.
http://www.dickinson.edu/trout/images/pdfs/InkedImpressions.pdf Angelli, Claire '07. “The Allure of Paris: Ellen Day Hale and Gabrielle DeVaux Clements” in Inked Impressions: Ellen Day Hale and the Painter-Etcher Movement (Carlisle, The Trout Gallery, Dickinson College, 2007), 27-31. Bellinger, Samantha '07. “The Gendered Line and Ellen Day Hale” in Inked Impressions: Ellen Day Hale and the Painter-Etcher Movement (Carlisle, The Trout Gallery, Dickinson College, 2007), 47-52. Bosch, Brittany '07. “ ‘ A Rebellious Tradition': The Life of Ellen Day Hale ” in Inked Impressions: Ellen Day Hale and the Painter-Etcher Movement (Carlisle, The Trout Gallery, Dickinson College, 2007), 10 -17. Malinoswki, Kathryn '07. “Women Pioneers in the Painter-Etcher Movement: Ellen Day Hale and Gabrielle DeVaux Clements” in Inked Impressions: Ellen Day Hale and the Painter-Etcher Movement (Carlisle, The Trout Gallery, Dickinson College, 2007), 32-36. Onat, Berna '07. “Ellen Day Hale and Artistic Training for Women in America” in Inked Impressions: Ellen Day Hale and the Painter-Etcher Movement (Carlisle, The Trout Gallery, Dickinson College, 2007), 18-20. Ruhfel, Alexandra '07. “‘The Goal of My Desires': Ellen Day Hale and Venice” in Inked Impressions: Ellen Day Hale and the Painter-Etcher Movement (Carlisle, The Trout Gallery, Dickinson College, 2007), 42-46. Shapiro, Stephanie '07. “Ellen Day Hale and Etching Technique” in Inked Impressions: Ellen Day Hale and the Painter-Etcher Movement (Carlisle, The Trout Gallery, Dickinson College, 2007), 21-26. Thompson, Jennifer '07. “Annie Blanche Dillaye: A Nineteenth-Century Etcher and a Peer to Gabrielle DeVaux Clements and Ellen Day Hale” in Inked Impressions: Ellen Day Hale and the Painter-Etcher Movement (Carlisle, The Trout Gallery, Dickinson College, 2007), 37-41.
http://www.dickinson.edu/trout/images/pdfs/quincy.pdf Donnelly, Anna Alston '06. “Rooftops and Cathedral, Basel,” n.d., in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 14-15. Donnelly, Anna Alston '06. “A Windy Day, Paris,” n.d., in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 24-25. Donnelly, Ann Alston, Laura Hahn, Susannah Haworth, Dorothy Paige Litz, Cassie Lynott, Rebecca Magrane, Courtney Scally, Kristin Schmehl, and Hilary Smith. “Haystacks, Giverny,” n.d., in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 50-51. Hahn, Laura '06. “Portrait of a Young Girl ,” n.d., in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 38-39. Hahn, Laura '06. “Vaudeville Stage,” n.d., in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 42-43. Haworth, Susannah '06. “Venice Canal,” c. 1942, in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 36-37. Haworth, Susannah '06. “Firenze, Strade sotto villa Mercede, Voltato L'Angolo,” c. 1942, in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 46-47. Litz, Dorothy Paige '06. “The Garden Wall,” n.d., in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 20-21. Litz, Dorothy Paige '06. “A Shady Street,” n.d., in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 40-41. Lynott, Cassie '06. “Foster Street , ” c. 1935, in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 18-19. Lynott, Cassie '06. “Elevated Train, Boston,” n.d., in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 48-49. Magrane, Rebecca '06. “The Writer,” n.d., in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 34-35. Magrane, Rebecca '06. “Table by the Window,” n.d., in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 44-45. Scally, Courtney '06. “Industrial Quarter, “n.d., in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 8-9. Scally, Courtney '06. “A Mediterranean Church,” n.d., in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 12-13. Schmehl, Kristin '06. “Street Scenes, Boston,” n.d., in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 6-7. Schmehl, Kristin '06. “A Quiet Street Corner, Boston , ” n.d., in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 16-17. Smith, Hilary '06. “Background of Metropolitan Industry,” n.d., in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 10-11. Smith, Hilary '06. “Rural Landscape with Distant Church ,” n.d., in Quincy: selected paintings (Carlisle: The Trout Gallery, Dickinson College, 2006), 22-23.
http://www.dickinson.edu/trout/images/pdfs/WoodcutsToWrapping.pdf Buinicky, Alison '05. “Be of Love #4” (Series: “Be of Love”), (Sister Mary Corta Kent, 1918-1986, American) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 38-39. Buinicky, Alison '05. “Two Nudes,” 1971, (Benjamin Levy, b. 1940, Israeli) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 50-51. Burger, Sarah '05. “A Rooster,” 1953, (Helen Siegl, b. 1925, Austrian-American) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 8-9. Burger, Sarah '05. “Calavera Crystal Ball,” 1992, (Rupert Garcia, b.1941, American) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 16-17. Douglas, Blair H. '05. “This Must Be The Place , ” 1965, (Roy Lichtenstein, 1923-1997, American) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 26-27. Douglas, Blair H. '05. “The Family ,” 1974, (Romare Bearden, 1914-1988, American) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 32-33. Garman, Michelle E. '05. “Insouciance (Carlessness ) ,” 1961, (Jean Dubuffet, 1901-1985, French) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 44-45. Garman, Michelle E. '05. “Trois Images,” 1989, (Bram Bogart, b. 1921, Dutch) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 56-57. Gower, Danielle M. '05. “Self Portrait,” 1957, (Mauricio Lasansky, b. 1914, Argentinean-American) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 10-11. Gower, Danielle M. '05. “Yellow Bounce,” 1971, (Edna Andrade, b. 1917, American) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 18-19. Harris, Blair L. '05. “The Dawn of My Time , ” 1968 , (Richard Ash, b. 1943, American) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 30-31. Harris, Blair L. '05. “Surface Series” (Series: “Currents”), 1970, (Robert Rauschenberg, b. 1925, American) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 46-47. Heffelfinger, Laura D. '05. “Beast Meets the Prime Minister of Maine,” c. 1991, (Mark BUlwinkle, b. 1946, American) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 42-43. Heffelfinger, Laura D. '05. “Mystic Sky with Self-portrait,” 1992, (Beyte Saar, b. 1926, American) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 48-49. Khan, Saman '05. “Aldgate East,” 1967, (Warrington Colescott, b. 1921, American) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 12-13. Khan, Saman '05. “Head on Water; Blue Animal with Sunshine Head; Moving in Blue” (Series: “Ten by Appel” ), 1980, (Karel Appel, b. 1921, Dutch) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 28-29. McNally, Ryan '05. “Young Spanish Peasant,” 1970, (Pablo Picasso, 1881-1973, Spanish) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 14-15. McNally, Ryan '05. “United Snakes of American,” 1975, ( Roberto Matta, 1911-2002, Chilean) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 36-37. Mounts, Erin E. '05. “Victoria's Children,” 1967. (Peter Milton, b. 1920, American) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 22-23. Mounts, Erin E. '05. “Still Life” (Wrapping Paper), n.d. (Yoshio Hayakawa, b. 1917, Japanese) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 58-59. Mueller, Nora M. '05. “The Lady and Her Gown” ( Series : “ Homage to Ingres”) and Drawing of the Lady and Her Gown , 1967. (Sante Graziano, b. 1920, American) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 20-21. Mueller, Nora M. '05. “Untitled,” 1977. (Armand Fernandez Arman, b. 1928, French-American) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 24-25. Thayer, Alexandra '05. “Frumenti” (Wheat) , 1955, (Bernard Childs, 1910-1985, American) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 52-53. Thayer, Alexandra '05. “Landscape,” 1975, (Jane Freilicher, b. 1924, American) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 54-55. Tilton, Heather J. '05. “Nancy,” 1969, (James G. Davis, b. 1931, American) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 34-35. Tilton, Heather J. '05. “Mädchen mit Harmonika IV” (“Girl with concertina IV”), 1988, (Georg Baselitz, b. 1938, German) in Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints (Carlisle: The Trout Gallery, Dickinson College, 2005), 40-41.
http://www.dickinson.edu/trout/images/pdfs/CatalogueFeb2004.pdf Fraust, Molly '04. “Visual Propaganda at the Carlisle Indian School ,” in Visualizing a Mission: Artifacts and Imagery of the Carlisle Indian School, 1879-1918 (Carlisle: The Trout Gallery, Dickinson College, 2004), 19-23. Latini, Stephanie '04. “Ceremonial Imagery in Plains Indian Artifacts from The Trout Gallery's Permanent Collection,” in Visualizing a Mission: Artifacts and Imagery of the Carlisle Indian School, 1879-1918 (Carlisle: The Trout Gallery, Dickinson College, 2004), 24-29. McWeeney, Kathleen '04. “ A Kiowa's Odyssey : Etahdleuh Doanmoe's Sketches from Fort Marion,” in Visualizing a Mission: Artifacts and Imagery of the Carlisle Indian School, 1879-1918 (Carlisle: The Trout Gallery, Dickinson College, 2004), 9-13. Members of the 2004 Art Historical Methods Seminar, “Richard Henry Pratt: 1840–1924,” in Visualizing a Mission: Artifacts and Imagery of the Carlisle Indian School, 1879-1918 (Carlisle: The Trout Gallery, Dickinson College, 2004), 7-8. Moyer, Kathryn M. '04. “‘ Going Back to the Blanket:' New Outlooks on Art Instruction at the Carlisle Indian Industrial School,” in Visualizing a Mission: Artifacts and Imagery of the Carlisle Indian School, 1879-1918 (Carlisle: The Trout Gallery, Dickinson College, 2004), 30-34. Turner, Laura '04. “John Nicholas Choate and the Production of Photography at the Carlisle Indian School,” in Visualizing a Mission: Artifacts and Imagery of the Carlisle Indian School, 1879-1918 (Carlisle: The Trout Gallery, Dickinson College, 2004), 14-18. Valdes-Dapena, Antonia '04. “Marketing the Exotic: Creating the Image of the ‘Real' Indian,” in Visualizing a Mission: Artifacts and Imagery of the Carlisle Indian School, 1879-1918 (Carlisle: The Trout Gallery, Dickinson College, 2004), 35-41.
http://www.dickinson.edu/trout/images/pdfs/ImagesOfTransience.pdf Benith, Priscilla '03. “Floral Still Life,” n.d., (Artist Unknown) in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 12-13. Benith, Priscilla '03. “The Susquehanna at Hunter's Gap,” 1873, (Granville Perkins, 1830-1895, American) in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 26-27. Duevell, Meta '03. “Landscape (River Rapids and Mill), 1878, (Carl Philipp Weber, 1849-1921, German/American) in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 14-15. Duevell, Meta '03. “Sunrise,”1880, (Thomas Moran, 1837-1926, British/American) in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 22-23. Engelmann, Ruth Ann '03. “Seascape,” c. 1880s, (Artist Unknown) in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 28-29. Engelmann, Ruth Ann '03. “A Venetian Lagoon,” c. 1770, (Francesco Guardi?, 1712-1793, Venetian), in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 34-35. Gilbo, Lacey '03. “Landscape with Pond and Ducks,” 1832, (Henry William Burgess, active 1809-1866, British) in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 6-7. Gilbo, Lacey '03. “Landscape (Castle on Bluff above Village),” 1878, (Carl Philipp Weber, 1849-1921, German/American) in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 10-11. Hayden, Erika '03. “Figures Fishing by a Resting Stream,” c. 1650, (Jacob Van Ruisdael?, 1628-1682, Dutch) in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 8-9. Hayden, Erika '03. “The Lido,” 1880, (Otto Henry Bacher, 1856-1909, American) in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 18-19. McGeehan, Tara '03. “Carlisle, England,” 1863, (William Henry Nutter, 1821-1872, British) in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 4-5. McGeehan, Tara '03. “On Staufa Bridge, 1879, (Otto Henry Bacher, 1856-1909, American) in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 20-21. O'Donnell, Rebecca '03. “View on the River Schuylkill Near Philadelphia,” c. 1840s, (George E. Cooke, 1793-1849, American) in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 30-31. O'Donnell, Rebeca '03. “Valley of the Cumberland, c. 1850, (Henry Boese, 1824-1863, American) in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 44-45. Pelletier, Marney '03. “Landscape,” 1863, (Alexander Panton, active 1861-1888, British), in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 40-41. Pelletier, Marney '03. “The Susquehanna at Duncannon,” 1872, (Edmund Darch Lewis, 1835-1910, American), in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 42-43. Podhrazsky, Lenka '03. “Flowers on a Tabletop,” c. 1876, (Joseph Stirling Thomas, active 1864-1880) in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 16-17. Podhrazsky, Lenka '03. “Vanitas,” 1876, (Ludwig Rach, 1853- ?, German), in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 38-39. Shimp, Maureen E. '03. “View of the Pemigewassett at North Campton,” 1863, (Frederic Dickinson Williams, 1828-2915, British/American) in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 24-25. Shimp, Maureen E. '03. “Floral Still Life,” early eighteenth century, (Antwerp Guild, 1453-1795) in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 46-47. Stockbridge, Stephanie '03. “Sunset Landscape,” 1862, (James Wells Champney, 1843-1903, American) in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 32-33. Stockbridge, Stephanie '03. “The Procuress,” c. 1640, (Jan Miense Molenaer, c. 1610-1668, Dutch) in Images of Transience: Nature and Culture in Art (Carlisle: The Trout Gallery, Dickinson College, 2003), 36-37.
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