|
|
| Prof. Catherine Beaudry offers lessons in French language and life while cooking up a feast with introductory French students in the Kade Center. |
When the French finish a meal, they don’t just leave the table, they sortent—which
means, literally, that they come out of it, says Catherine Beaudry, associate professor of
French. In the French mind, dining is an experience theoretically separate from reality; the
table is a place you go to escape from everything else, an emblem of cultural identity.
That’s
why Beaudry makes food a focus of her introductory French course. “You can’t
learn about the culture without studying the food,” she explains. “The French seem
like rationalists, but they’re sensualists, too. They enjoy the aesthetics of everyday
life, and I hope to give students an appreciation of life like this.”
To Beaudry, this
means teasing the senses by teaching her students to concoct elaborate French cuisines. “I
teach them the verbs of the five senses and the rules of grammar, and when I teach them how
to cook, it all comes together,” she says. “It’s amazing
how cooking brings the grammar to life. The language shows us how the culture focuses around
the table; nowhere is this more pronounced than in France.”
What might you find on a French
101 student’s plate? “We have four cooking lessons—labs,
really—throughout the semester,” Beaudry explains. Recent dishes have included
la pâte à crêpes, zesty ratatouille with rice, balsamic vinaigrette with
blue cheese, and the finale—puff pastries with ice cream. (See recipes, page 26.) “Students
love doing it,” says Beaudry. “It creates a real esprit de corps.”
“By
working on food, by doing things that are physical, they increase their comfort with the language
and the culture,” Beaudry adds. “A meal in France is not just visually
beautiful, but a very important social occasion.”
Beaudry isn’t the only faculty
member to bring a flavor of culture to the classroom through the study of food and eating.
Adrienne Su, assistant professor of English and poet-in-residence, teaches Writing about Food
and Culture.
“I always wanted to be a food writer or food editor, so it was perfectly
natural for me to teach a course on writing about food,” says Su. “Students write
about food as an art, as an aesthetic experience and also as a moral act. And then I have them
write a paper on their own culinary identity, which can be difficult for a lot of people to
find.”
To help with this task, Su has students read such texts as Mark Winegardner’s
We Are What We Ate: 24 Memories of Food, an eclectic collection of essays on eating as a personal,
meaningful experience. The course also entails a visit to a local restaurant and completion
of a restaurant review.
“We explore food from all different cultures,” Su says. “And
food is an important part of that. I want [students] to come out with a broader understanding
of what constitutes culture. All of these identities are dynamic. I hope to shake the idea
that culture is fixed.”
Su’s passion for food is a frequent theme of her poetry. “I
guess I’m just
obsessed with food—with cooking, cookbooks, eating,” explains Su, a talented chef
in her spare time. “I think I write better if I’m exposed to food. And I don’t
try to write poems about food; food just crops up in my poetry. (See poem, page 25.)
“My
interest in writing and interest in cooking balance each other,” she adds. “Poetry
alone
wasn’t physical enough for me, but cooking by itself wasn’t intellectual enough.
Poetry has a history that’s masculine, while cooking is traditionally feminine, and I
think the brain needs elements of both the masculine and the feminine to work best.” \
Michael
Poulton, assistant professor of international business and management, is another faculty member
who uses food to demonstrate cultural truths; the power of food advertising is a regular topic
of lectures in his marketing courses. An international grain trader before he came to Dickinson,
Poulton teaches a class on world trade, where he focuses on the “hyper-regulation” of
bioengineered foods.
“There’s a preconception about bioengineering that it’s
dangerously manipulative, when really it’s produced some great miracles,” he says. “We
talk too much about safety and don’t often look at the real result of things. I don’t
want students to be afraid of genetically engineered food. We need to look at the empirical
evidence and encourage it. People need to realize that we can use, and have used, science in
incredible ways.”
It’s hard to talk about food without mentioning what many believe
is one of America’s
great contemporary crises, obesity. Amy Farrell, associate professor of American studies and
women’s studies, makes what she calls “the cultural ‘crisis’ of obesity” the
focus of her scholarly research. “It’s amazing how contradictory our culture is,” she
says. “We have the biggest fast-food industry in the world, but also the biggest diet
industry. Compared with other countries, we also have more food taboos.”
This fall, Farrell
is teaching a senior seminar, Feminist Activism and the Body, in which she leads discussions
about fatness in American culture. “Feminist activists haven’t
looked so much at what it means to be fat women, men and children,” she explains. Students
taking Farrell’s course are reading Fat! So?: Because You Don’t Have to Apologize
for Your Size, a celebration of fatness by Marilyn Wann, a 275-pound “fat activist” and
champion for the overweight. “I’m always surprised by the level of animosity from
students when we talk about fat activists,” Farrell explains. “Just because we
keep getting fatter as a society doesn’t mean there’s less stigma. The biggest
misconception is that fatness is a choice.
“It is important for people to make healthy
decisions,” Farrell adds. “But
we need to couple this with fighting fat stigma. It should go hand in hand.”
Two first-year
seminars this fall also have a food focus, Garden Coordinator Jennifer Halpin’s
Food 101 and Assistant Professor of Anthropology Karen Weinstein’s The Biology and Culture
of Food and Nutrition. The overarching goal of both seminars is the same: to teach students
the impact—biological, social, political and economic—of their food choices.
Halpin’s
students explore how food is produced, through field trips to local farms and guest speakers
from the agricultural sciences, and Weinstein’s course examines the link
between biology and the environment by comparing food and nutrition in developed and underdeveloped
nations. In addition, students from the seminars will convene six times throughout the semester
to discuss relevant issues or take food-related trips—such as a visit to a local food
bank.
“I want to provide a visual into how food can be grown in different ways,” says
Halpin, an advocate of sustainable organic-food production. “I want to instill a mindset
that thinks outside the box—outside supermarkets like Giant and Weis. My hope is that
students can make a choice with their food dollars. If people become aware, they can change
the way food is produced in the future and help the greater good.”
“I think it’s
important to have students explore the world where malnutrition is a huge problem and compare
their nutritional content to that of other countries,” notes
Weinstein. “Food is a means of survival, a means of cultural expression as a species.
I hope students learn that we are cultural creatures that manifest in biological ways. I hope
they come out with an understanding of their own food intake and also of their place in the
world. I want them to learn ways to be healthy about the choices that they make while learning
something about the world.”
|